A colleague of mine, a photographer, told me she's decided to leave New York after living here for many years. She's a native of a European country, and although she loves New York, it's gotten too expensive for her, so she's moving back to her homeland permanently. She just decided abruptly, fearing burn-out.
Expensive is definitely the word, and burn-out too, yet the town is in no way as interesting as it was when living here was cheaper. It's become commercialized and plastic in many ways, and has lost its gritty edge. Or maybe that's just my weary perception of things, after thirty-three years of living here and finally starting to fear that I'm just another mug in the crowd after hoping I'd turn out to be something special?
Yes, I suppose I would have less to complain about if I were making better money or I were famous and hobnobbing with the glitterati. If I got to put my hand on some tabloid hottie's knee, I might feel less gloomy. For creative people in particular in this town, fame and fortune are, strangely enough, not merely to be sought for their own sake, but as an antidote to the continual stress of New York, its wear and tear on the ever-aspiring personality.
So, not having fame or fortune here, after dreaming you'd get it, is like not having access to one's medicine, one's tranquillizer.
Who wants Prozac? Just put Jessica Simpson on my lap...
Speaking of tabloid personalities, Vanessa Mannillo, who is now seeing Simpson's ex, should never be seen in public without makeup. There's a shot of her in the current OK magazine that shows her strolling on the beach with a well-scrubbed face. Ye gods! She is plain. What a disappointment. I guess she needs the paint.
All right, so I'm being catty...spank me if I deserve it...alas, my nose is pressed up to the candy store window, but I don't have the money for a treat! I just have a bagful of sour grapes instead.
Moving along...
When I was a kid, I used to read mostly Marvel and DC Comics, but my sisters would read Archie and Betty & Veronica. So I'd check out B&V, whose images had been perfected to a pinup-like gloss by the late artist Dan De Carlo. Betty & Veronica represent the yin and yang of my sexual personality. I'd like a nice girl like Betty, who could act bitchy like Veronica in the bedroom...
Anyway, I was at the newsstand today and I see the Archie company is trying out a new style of art for Betty & Veronica. Allow me to say "Ye gods!" again. Comparing this new art to the old style is like putting thrift store art next to views of Japan by Hokusai...meaning, you really appreciate the graceful beauty of the original Betty & Veronica style when you see the "contemporary" mode, which looks like the kind of art they used in subway advertisements about getting young people to practice safe sex. It tries to be relevant and modern, full of trendy details, but ends up looking bland and stodgy.
My guess is that the "New" Betty & Veronica are going to eventually go the way of the "New" Coke as Betty & Veronica Classic asserts its immortality, just like Coke Classic did.
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I've been with my husband several times in the last two or three years when he has gone to Queens and the Bronx to make deliveries. Every time I view how everyone seems to live on top of one another and the graffiti and the traffic, I wonder what the appeal is for people contemplating moving there. It boggles my mind. When I go there, all I can think about is getting the hell out!
No offense, Sir Cranky, but as someone who likes the city life too, I wouldn't have it in me to live there.
Also, I was always anxious for the new Archie magazines to hit the stands as a young girl. I'm going to have to check out the new 'modern' versions of Betty and Veronica. Though I haven't seen them yet, I feel certain, that like you, I will prefer the originals.
http://goodcomics.comicbookresources.com/2007/05/15/betty-and-veronica-double-digest-151-review/
New York is such a weird combination of big success and preponderant bitterness! So many really talented, really bright and ambitious folks come to a more middling end than they'd imagined when they got there (don't put yourself in that group. It's pretty depressing. I often wonder if anybody enjoys any part of just being there, given the pressure to be exceptional all the time, to be New York-grade. I suppose that when the city has diminished all the merely place and show finishers to the point of retreating, like your European friend, all that will be left is its ducal class of big shots and their expansive retinue of servants.